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        Gyōtoku Shin’ichirō
    
    
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        Haino Akio
    
    
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        Hamada Giichirō
    
    
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        Harada Kinjirō
    
    
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        Hasumi Shigeyasu
    
    
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        Hayakawa Monta and Yamamoto Kenkichi
    
    
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        “Sesson hitsu Chikurin Shichiken zu byōbu (Hatakeyama Kinenkan zō) ni tsuite” (Screen Painting of “The Seven Sages of the Bamboo Grove,” by Sesson, in the collection of the Hatakeyama Memorial Museum). In Jinbutsuga: Kanga kei jinbutsu (Figure paintings: Figures in Chinese-inspired paintings). Nihon byōbu-e shūsei (Survey of Japanese screen paintings), 4. Reprint, 1982.
    
 
    
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        “Sesson Shūkei no kenkyū” (Study of Sesson Shūkei). Kajima bijutsu zaidan nenpō 2: 68–73.
    
 
    
        Hayashiya Seizō
    
    
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        Hayashiya Seizō
    
    
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        Hayashiya Seizō
    
    
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        Hayashiya Seizō
    
    
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        Hayashiya Seizō
    
    
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        Hayashiya Seizō
    
    
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        Hayashiya Seizō
    
    
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        Hayashiya Seizō
    
    
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        “Kyōyaki no nagare” (Currents of kyōyaki). In Kyōyaki no sekai: Ninsei kara Hōzen made (The world of kyōyaki: From Ninsei to Hōzen). Exh. cat. Matsue, Shimane Prefecture: Tabe Museum.
    
 
    
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        Kōetsu. Tokyo: Daiichi Hōki Shuppansha.
    
 
    
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        Kuge buke. Kinsei fūzoku zufu (Courtiers and warriors: Fashion trends in the early modern era). 11. Tokyo: Shōgakukan.
    
 
    
        Hayashi Yoshikazu
    
    
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        Shunshō. Enpon kenkyū (Studies of erotic books), 4. Tokyo: Yūkō Shobō.
    
 
    
        “Heian jinbutsushi”
    
    
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        “An’ei yonen-ban Heian jinbutsushi” (Heian jinbutsushi: An address book of artists and scholars in Kyoto, published in the fourth year of An’ei, 1775). Bijutsu kenkyū, no. 54 (June): 257–64.
    
 
    
        “Heian jinbutsushi”
    
    
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        “Tenmei ninen-ban Heian jinbutsushi” (Heian jinbutsushi: An address book of artists and scholars in Kyoto, published in the second year of the Tenmei era, 1782). Bijutsu kenkyū, no. 132: 227–34.
    
 
    
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        “Takuma ha ni okeru dentō sei” (The traditionalism of the Takuma School). Kokka, no. 1085 (July): 11–26.
    
 
    
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        Nihon Sankei ten: Matsushima, Amano hashidate, Itsukushima (The three great views of Japan—Matsushima, Amanohashidate, Itsukushima). Exh. cat., Hiroshima Prefectural Museum of Art, Kyoto Cultural Museum, and Tōhoku Historical Museum. Hiroshima: Hiroshima Prefectural Museum of Art.
    
 
    
        Hitomi Shōka
    
    
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        Hizen Tōji Kenkyūkai
    
    
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        Koimari/Koimari Chōsa Iinkai hen. Saga-shi: Kinkadō. Shōwa 34
    
 
    
        Hōgen monogatari
    
    
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        William R. Wilson, translator. Hōgen monogatari: Tale of the Disorder in Hōgen. Monumenta Nipponica Monographs. Tokyo: Sophia University.
    
 
    
        Hon’ami gyōjōki to Kōetsu
    
    
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        Masaki Tokuzō, editor. Hon’ami gyōjōki to Kōetsu (Annals of the Hon’ami family and Kōetsu). Tokyo: Chūōkōron Bijutsu.
    
 
    
        Honda Mitstuko
    
    
        2013
    
    
        “Tosa Mitsuoki hitsu, ‘Genji monogatari zu byobu’ ni tsuite” (Scenes from The Tale of Genji by Tosa Mitsuoki), in Museum, no. 646 (August).
    
 
    
        Honma Art Museum
    
    
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        Dai nikai Nihon nanga ten (Second exhibition of Japanese Nanga). Exh. cat. Sakata, Yamagata Prefecture: Honma Art Museum.
    
 
    
        Honma Art Museum
    
    
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        Sesson no geijutsu (The art of Sesson). Exh. cat. Sakata, Yamagata Prefecture: Honma Art Museum.
    
 
    
        Honma Art Museum
    
    
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        Sakai Hōitsu meisaku ten (Exhibition of Sakai Hōitsu’s masterpieces). Exh. cat. Sakata, Yamagata Prefecture: Honma Art Museum.
    
 
    
        Horibe Seiji
    
    
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        Chūko Nihon bungaku no kenkyū: Shiryō to jisshō (Study of medieval Japanese literature: Supporting documents). Kyoto: Kyōiku Tosho.
    
 
    
        Horikawa Takashi
    
    
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        “Shōshō hakkei shi ni tsuite” (On the poems of the Eight Views of the Xiao and Xiang Rivers). Chūsei bungaku, no. 34: 101–10.
    
 
    
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        Hoshino Rei
    
    
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        “Ike Gyokuran hitsu Bokubai zu, Sansui zu” (“Landscape” and “Plum Tree,” by Ikeno Gyokuran). Kokka, no. 998: 36–38.
    
 
    
        Hoshiyama Shin’ya
    
    
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        “Gyokuen Bonpō ni tsuite” (On Gyokuen Bonpō). Geijutsugaku kenkyū 2: 33–57.
    
 
    
        Hosomi Ryō
    
    
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        “Negoro ni tsuite I” (On Negoro ware, 1). Nihon bijutsu kōgei 284 (May): 1.
    
 
    
        Hosono Masanobu
    
    
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        Kindai kaiga no reimei: Bunchō, Kazan to yōfūga (The dawn of modern painting: Bunchō, Kazan, and Western-style painting). Nihon bijutsu zenshū (Survey of Japanese art), 25. Tokyo: Gakushū Kenkyūsha.
    
 
    
        Hosono Masanobu
    
    
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        Edo no Kano ha (The Kano School during the Edo period). Nihon no bijutsu (Arts of Japan), 262. Tokyo: Shibundō.
    
 
    
        “Hyakusen”
    
    
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        “Sakaki Hyakusen tokushū gō” (Special issue on Hyakusen). Nanga kanshō 8, no. 4 (April).
    
 
    
        Ibaraki Prefectural Museum of History
    
    
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        Idemitsu Museum of Arts
    
    
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        Idemitsu Museum of Arts
    
    
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        Iizuka Beiu
    
    
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        Iizuka Beiu
    
    
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        Ikawa Kazuko
    
    
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        “Chiten ni sasaerareta Bishamonten chōzō: Tobatsu Bishamonten zō ni tsuite no ichi kōsatsu” (Statues of Bishamonten supported by Chiten: Research on the Tobatsu Bishamonten). Bijutsu kenkyū, no. 229 (July): 53–73.
    
 
    
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        “Shōshō hakkei zu no chōsa hōkoku” (Study of paintings of the Eight Views of the Xiao and Xiang Rivers). Kajima bijutsu zaidan nenpō 13: 521–35.
    
 
    
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        “Genji monogatari emaki. Sakaki no maki no shōkei sentaku ni kansuru ichikōsatsu” (Tale of Genji handscrolls: Thoughts on the selection of settings for illustrations of the “Sakaki” chapter). Kinko sōsho: Shigaku bijutsushi ronbunshū no. 34 (March).
    
 
    
        Inamoto Mariko
    
    
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        “Maboroshi no Genji monogatari emaki Baaku-bon ni tsuite” (The lost picture scrolls of The Tale of Genjii owned by the Mary and Jackson Burke Foundation). Rikkyō Daigaku Nihongaku kenkyūjo nenpō, no. 8 (March): 15–21.
    
 
    
        Inazuka Takeshi
    
    
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        “Goshun ni tsuite” (On Goshun). Kokka, no. 348 (May): 417–21 (pt. 1); no. 349 (June): 451–56 (pt. 2).
    
 
    
        Inazuka Takeshi
    
    
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        “Goshun tetsubun” (On the life of Goshun). Kokka, no. 358 (March): 392–96 (pt. 1).
    
 
    
        Inokuma Kanekatsu
    
    
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        Haniwa. Nihon no genshi bijutsu (Prehistoric arts of Japan), 6. Tokyo: Kōdansha.
    
 
    
        Inoue Ken’ichirō
    
    
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        “Chūsei no shiki keibutsu: Waka shiryō ni yoru shiron” (Depiction of the four seasons in the medieval period: Waka as historical documents). In Takeda Tsuneo 1977b.
    
 
    
        Inoue Tadashi
    
    
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        “Jōgon’in Amida Nyorai zō ni tsuite” (On a Buddhist image of Amitabha in the Jōgon’in Temple). Kokka, no. 791 (February): 39–51.
    
 
    
        Inoue Tadashi
    
    
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        “Jōruriji kutai Amida Nyorai zō no zōryū nendai ni tsuite” (On the date of the production of the nine images of Amitabha in the Jōruriji Temple). Kokka, no. 861 (December): 7–20.
    
 
    
        Inryōken nichiroku
    
    
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        Inryōken nichiroku (Chronicles at Inryōken). Edited by Takeuchi Rizō. 5 vols. 1953. Reprint, Zōho zoku shiryō taisei (Second compendium of historical material: Enlarged supplement), 21–25. Kyoto: Rinsen Shoten.
    
 
    
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        Inryōken nichiroku sakuin (Index to the chronicles at Inryōken). Edited by Kageki Hideo. Kyoto: Rinsen Shoten.
    
 
    
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        Sōtatsu Ise monogatari zu shikishi (Scenes from the Tale of Ise on shikishi, by Sōtatsu). Institute of Japanese Culture, Hagoromo University of International Studies. Kyoto: Shibunkaku.
    
 
    
        Ishida Mosaku
    
    
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        Shōtoku Taishi sonzō shūsei (Collection of noble images of Shōtoku Taishi). 2 vols. Tokyo: Kōdansha.
    
 
    
        Ishida Mosaku and Okazaki Jōji
    
    
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        Mikkyō hōgu (Furnishings for esoteric Buddhist rituals). Exh. cat. Kyoto: Rinsen Shoten.
    
 
    
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        Tōshōdaiji. Tokyo: Kadokawa Shoten.
    
 
    
        Ishikawa-ken Kyōiku Iinkai
    
    
        1971–72
    
    
        Daiichiji, Niji Kutani koyō chōsa gaihō (Reports on the first and second excavations of the old kilns at Kutani). Ishikawa: Ishikawa-ken Kyōiku Iinkai.
    
 
    
        Ishikawa Prefectural Art Museum and MOA Museum of Art
    
    
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        Nonomura Ninsei ten: Edo jidai—Kyōyaki iroe no taiseisha (Exhibition of Nonomura Ninsei, who perfected polychrome glazing techniques during the Edo period). Exh. cat. Kanazawa: Ishikawa Prefectural Art Museum; Atami: MOA Museum of Art.
    
 
    
        Ishikawa Tomohiko
    
    
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        Itō Shirō
    
    
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        Komainu (Lion dogs). Nihon no bijutsu (Arts of Japan), 279. Tokyo: Shibundō.
    
 
    
        Itō Toshiko
    
    
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        “Den Kōetsu hitsu Utaibon to Kanze Kokusetsu (A book of utai ascribed to Kōetsu and Kokusetsu Kanze). Kokka, no. 922: 5–22.
    
 
    
        Itō Toshiko
    
    
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        “Den Sōtatsu hitsu Ise monogatari zu shikishi no kotobagaki ni tsuite” (Study of the texts of the Ise monogatari shikishi attributed to Sōtatsu). Yamato bunka, no. 59 (March): 28–55.
    
 
    
        Itō Toshiko
    
    
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        “Kōetsu no sho” (The calligraphy of Kōetsu). In Kōetsu sho Sōtatsu kingindei-e (Kōetsu’s calligraphy on gold and silver paintings by Sōtatsu). Vol. 1, 95–103. Tokyo: Asahi Shinbunsha, 1978.
    
 
    
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        Momoyama tōgei no hana ten: Kiseto, Setoguro, Shino, Oribe (Exhibition of the masterpieces of Momoyama ceramics: Kiseto, Setoguro, Shino, Oribe). Nagoya: NHK Nagoya Hōsōkyoku.
    
 
    
        Iwama Kaoru
    
    
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        Kobe Municipal Museum
    
    
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        “Kōetsu to Kōetsu-ryū no sho” (The development of the calligraphy of Kōetsu and his school). Yamato bunka, no. 45: 10–29.
    
 
    
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        Komatsu Shigemi
    
    
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        [Editor]. Kan’ei sanpitsu (Three great calligraphers of the Kan’ei era). Nihon no sho (Japanese calligraphy), 10. Tokyo: Chūōkōronsha.
    
 
    
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        2000 Years of Korean Art. Exh. cat.
    
 
    
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        [Editors]. Nagasaki ha no kachōga: Shen Nanpin to sono shūhen (Bird-and-flower painting of the Nagasaki School: Shen Nanpin and his followers). 2 vols. Kyoto: Fuji Art.
    
 
    
        Kumagai Nobuo
    
    
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        “Gyokuen Bonpō den” (Bonpō: An artist and priest of the Ashikaga period; A biographical study). Bijutsu kenkyū, no. 15 (March): 95–113.
    
 
    
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        Oshidashi butsu to senbutsu (Repoussé Buddhist plaques and clay relief tiles). Nihon no bijutsu (Arts of Japan), 118. Tokyo: Shibundō.
    
 
    
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        The Austere Landscape: The Paintings of Hung-jen. Taipei: SMC Publishing.
    
 
    
        Kuraku Yoshiyuki
    
    
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        Yayoi doki (Earthenware of the Yayoi culture). Nihon no genshi bijutsu (Early arts of Japan), 3. Tokyo: Kōdansha.
    
 
    
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        [Editor]. Chōkoku (Sculpture). Zaigai Nihon no shihō (Japanese art: Selections from Western collections), 8. Tokyo: Mainichi Shinbunsha.
    
 
    
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        Kaijūsenji, Gansenji, Jōruriji. Yamato koji taikan (Ancient Yamato temples), 7. Tokyo: Iwanami Shoten.
    
 
    
        Kurata Osamu
    
    
        1967
    
    
        Butsugu (Buddhist ritual implements). Nihon no bijutsu (Arts of Japan), 16. Tokyo: Shibundō.
    
 
    
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        Worlds Seen and Imagined: Japanese Screens from the Idemitsu Museum of Arts. Exh. cat. New York: Asia Society Galleries.
    
 
    
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        1885–1901
    
    
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        Kyoto Furitsu Sōgō Shiryōkan
    
    
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        Maki-e. Kyoto: Kyoto Furitsu Sōgō Shiryōkan.
    
 
    
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        Tosa ha kaiga shiryō mokuroku (Catalogue of documentary materials on Tosa School paintings). Vol. 4, Hōōdō ita-e; Dōshakuga funpon (Copies of wood-panel paintings at Hōōdō; Paintings of Buddhist, Daoist, and other religious figures). Kyoto: Kyoto Municipal University of the Arts Archives.
    
 
    
        Kyoto National Museum
    
    
        1933
    
    
        Ike Taiga iboku tenrankai mokuroku (Catalogue of the exhibition of the work of Ike Taiga). Exh. cat. Kyoto: Kyoto National Museum.
    
 
    
        Kyoto National Museum
    
    
        1974a
    
    
        Heike nōkyō (Sutras donated by the Heike clan). Exh. cat. Kyoto: Kōrinsha.
    
 
    
        Kyoto National Museum
    
    
        1974b
    
    
        Kami gami no bijutsu (The arts of Japanese gods). Exh. cat. Kyoto: Kyoto National Museum.
    
 
    
        Kyoto National Museum
    
    
        1980–81
    
    
        Tan’yū shukuzu (Small sketches by Kano Tan’yū). 2 vols. Kyoto: Kyoto National Museum.
    
 
    
        Kyoto National Museum
    
    
        1981
    
    
        Gazō Fudō Myōō (The iconography of Fudō Myōō). Exh. cat. Tokyo: Dōhōsha.
    
 
    
        Kyoto National Museum
    
    
        1986
    
    
        Byakue Kannon zō (Images of Byakue Kannon). Exh. cat. Kyoto: Kyoto National Museum.
    
 
    
        Kyoto National Museum
    
    
        1990
    
    
        Komainu (Lion dogs). Exh. cat. Kyoto: Kyoto National Museum.
    
 
    
        Kyoto National Museum
    
    
        1995
    
    
        Maki-e: Shikkoku to ōgon no Nihon bi (Maki-e: The beauty of black-and-gold Japanese lacquer). Exh. cat. Kyoto: Kyoto National Museum.
    
 
    
        Kyoto National Museum
    
    
        1996
    
    
        Muromachi jidai no Kano ha: Gadan seiha e no michi (The Kano School in the Muromachi period: On the road to artistic predominance). Exh. cat. Kyoto: Kyoto National Museum.
    
 
    
        Kyoto National Museum
    
    
        1997
    
    
        Ōgon no toki, yume no jidai: Momoyama kaiga sanka (The age of gold, the days of dreams: In praise of the paintings in the Momoyama period). Exh. cat. Kyoto: Kyoto National Museum.
    
 
    
        Kyoto National Museum
    
    
        2000
    
    
        Jakuchū: Tokubetsu tenrankai botsugo 200-nen; Bunkazai hogohō 50-nen kinen jigyō (Jakuchū: Special exhibition; The 200th anniversary of Jakuchū’s death). Exh. cat. Kyoto: Kyoto National Museum.
    
 
    
        Kyūsoshin Noboru
    
    
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        Nishi Honganjibon Sanjūrokuninshū seisei (The Nishi Honganji Sanjūrokuninshū: Deluxe edition). Tokyo.
    
 
    
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        Japanese Decorative Style. Cleveland: Cleveland Museum of Art, 1961.
    
 
    
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        “A Seated Bodhisattva in the Collection of the Mary and Jackson Burke Foundation.” Orientations 35, no. 7 (October): 90–91.
    
 
    
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        Leidy, Denise Patry, and Robert A. F. Thurman
    
    
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        Mandala: The Architecture of Enlightenment. Exh. cat. New York: Asia Society Galleries and Tibet House; Boston: Shambala.
    
 
    
        Levine, Gregory P. A., and Yukio Lippit
    
    
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        Awakenings: Zen Figure Paintings in Medieval Japan. Exh. cat. New York: Japan Society.
    
 
    
        Lillehoj, Elizabeth Ann
    
    
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        “Soga Chokuan to Nichokuan no zaibei sakuhin ni tsuite” (Paintings by Soga Chokuan and Nichokuan in American collections). In Nara Prefectural Museum of Art 1989, pp. 46–53.
    
 
    
        Linda, Mary F.
    
    
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        The Real, the Fake, and the Masterpiece. Exh. cat. New York: Asia Society Galleries.
    
 
    
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        Exquisite Visions: Rimpa Paintings from Japan. Exh. cat. Honolulu: Honolulu Academy of Arts.
    
 
    
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        London Gallery Ltd.
    
    
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        Mackenzie, Colin, and Irving Finkel
    
    
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        [Editors]. Asian Games: The Art of the Contest. Exh. cat., Asia Society Museum, New York, and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C. New York: Asia Society.
    
 
    
        Maeda Taiji
    
    
        1977
    
    
        Tokyo Geijutsu Daigaku shozō meihin ten: Sōritsu kyūjusshū-nen kinen (Masterpieces from the collection of the Tokyo Geijutsu Daigaku: Commemorating its ninetieth anniversary). Exh. cat., Tokyo National Museum and Tokyo National University of Fine Arts and Music. Tokyo: Tokyo Geijutsu Daigaku.
    
 
    
        Manno Art Museum
    
    
        1988
    
    
        Manno korekushon senshū (Selected masterpieces of the Manno Collection). Osaka: Manno Kinen Bunka Zaidan.
    
 
    
        Man’yōshū
    
    
        1981
    
    
        Ian Hideo Levy, translator. The Ten Thousand Leaves: A Translation of the Man’yōshū, Japan’s Premier Anthology of Classical Poetry. Princeton Library of Asian Translations. Princeton: Princeton University Press.
    
 
    
        Maruo Shōzaburō
    
    
        1966
    
    
        [Editor]. Nihon chōkokushi kiso shiryō shūsei—Heian jidai: Zōzō meiki hen (Collection of source materials for the history of Japanese sculpture: Heian-period Buddhist sculpture and inscriptions). 8 vols. Tokyo: Chūōkōron Bijutsu Shuppan.
    
 
    
        Maruyama Masatake
    
    
        1963
    
    
        [Editor]. Kanshō bijutsu (Appreciation of art). Tokyo: Bijutsu Shuppansha.
    
 
    
        Mason, Penelope
    
    
        1977
    
    
        Japanese Literati Painters: The Third Generation. Exh. cat. Brooklyn: The Brooklyn Museum.
    
 
    
        Masuda Takashi
    
    
        1980
    
    
        Kōetsu no tegami (Kōetsu’s correspondence). Tokyo: Kawade Shobō Shinsha.
    
 
    
        Matsubara Shigeru
    
    
        1981
    
    
        “Beni girai to Kansei no kaikaku” (Beni girai and the renovation of the Kansei era). [Tokyo] Museum, no. 358 (January): 27–33.
    
 
    
        Matsubara Shigeru
    
    
        1985
    
    
        “Beni girai no hassei to sono haikei” (The emergence of beni girai and its background). [Tokyo] Museum, no. 408 (March): 4–15.
    
 
    
        Matsubara Shigeru
    
    
        1996
    
    
        “Sekigaisen no kōyō—kasen-e no shihai sumigaki o yomu” (The benefit of infrared examination: Reading ink inscriptions on verso of poem sheets accompanying pictures of the immortal poets). Mizuguki, no. 20: 58–68.
    
 
    
        Matsuo Bashō
    
    
        1966
    
    
        Bashō: The Narrow Road to the Deep North; and Other Travel Sketches. Translated and introduction by Nobuyuki Yuasa. Harmondsworth: Penguin Books.
    
 
    
        Matsushima Ken
    
    
        1985
    
    
        “Busshi Kaikei no kenkyū” (Study of the Buddhist sculptor Kaikei). Kajima bijutsu zaidan nenpō 3: 93–99.
    
 
    
        Matsushita Hidemaro
    
    
        1959
    
    
        Kuwayama Gyokushū. Tokyo: Chūōkōron Bijutsu Shuppan.
    
 
    
        Matsushita Hidemaro
    
    
        1970
    
    
        Taiga no sho (The calligraphy of Taiga). Tokyo: Chūōkōronsha.
    
 
    
        Matsushita Takaaki
    
    
        1960
    
    
        Muromachi suibokuga (Suiboku painting of the Muromachi period). Tokyo: Muromachi Suibokuga Kankōkai.
    
 
    
        Matsushita Takaaki
    
    
        1967
    
    
        Suibokuga (Ink painting). Nihon no bijutsu (Arts of Japan), 13. Tokyo: Shibundō.
    
 
    
        Matsushita Takaaki
    
    
        1968
    
    
        “Hidemori no sūten no sakuhin” (On several paintings by Hidemori). Bukkyō geijutsu / Ars Buddhica, no. 69 (December): 135–43.
    
 
    
        Matsushita Takaaki
    
    
        1975
    
    
        [Editor]. Heiji monogatari emaki; Mōko shūrai ekotoba (Illustrated Tale of the Heiji; Illustrated story of the Mongol invasions). Shinshū Nihon emakimono zenshū (Survey of Japanese handscroll paintings: New edition), 10. Tokyo: Kadokawa Shoten.
    
 
    
        Matsushita Takaaki
    
    
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        Matsushita Takaaki
    
    
        1978
    
    
        Josetsu, Shūbun. Nihon bijutsu kaiga zenshū (Survey of Japanese painting), 2. Tokyo: Shūeisha.
    
 
    
        Matsushita Takaaki and Tamamura Takeji
    
    
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        Josetsu, Shūbun, San Ami. Suiboku bijutsu taikei (Compendium of ink painting), 6. Tokyo: Kōdansha.
    
 
    
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        “Bishamonten hō no shōrai to Rajōmon anchi zō” (The transmission to Japan of the Bishamonten doctrine and the Bishamonten statue enshrined on the Rajōmon Gate). Bijutsu kenkyū, no. 370 (March): 285–315.
    
 
    
        Mayuyama Junkichi
    
    
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        Meech-Pekarik, Julia
    
    
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        “The Artist’s View of Ukifune.” In Ukifune: Love in “The Tale of Genji,” edited by Andrew Pekarik, pp. 173–215. New York: Columbia University Press.
    
 
    
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        “Death of a Samurai.” Apollo 121, no. 276 (February): 108–13.
    
 
    
        Meech-Pekarik, Julia
    
    
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        The World of the Meiji Print: Impressions of a New Civilization. New York: Weatherhill.
    
 
    
        Mi Chou Gallery
    
    
        1962
    
    
        Five Hundred Years of Tradition: Chinese Painting, Fifteenth to Twentieth Century. Exh. cat. New York: Mi Chou Gallery; St. Paul, Minn.: St. Paul Art Center.
    
 
    
        Minamoto Toyomune
    
    
        1930
    
    
        “Tobatsu Bishamonten zō no kigen” (The origin of Tobatsu Vaisravana). Bukkyō bijutsu 15 (January): 40–55.
    
 
    
        Minamoto Toyomune
    
    
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        Budō (Grapes). Nihon no mon’yō (Decorative designs of Japan), 13. Kyoto: Kōrinsha.
    
 
    
        Minegishi Yoshiaki
    
    
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        Uta awase no kenkyū (Study of poetry competitions). Tokyo: Sanseidō.
    
 
    
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        [Editors]. Genji monogatari: Tennō ni narenakatta ōji no monogatari (The Tale of Genji: The story of a prince who could not become emperor). Tokyo: Shinchōsha.
    
 
    
        Mitani Kazuma
    
    
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        Edo Yoshiwara zushū (Pictures of Yoshiwara in Edo). Tokyo: Rippū Shobō.
    
 
    
        Mitsumori Masashi
    
    
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        “Senbutsu zatsu sōkan” (Miscellaneous views concerning senbutsu). In Suenaga Sensei beiju kinen kentei ronbunshū (Studies dedicated to Dr. Masao Suenaga on the occasion of his 88th birthday), edited by Suenaga Sensei Beiju Kinenkai, vol. 2, pp. 1531–51. Nara: Nara Meishinsha.
    
 
    
        Mitsumori Masashi
    
    
        1986
    
    
        Amida Nyorai zō (Images of Amida Buddha). Nihon no bijutsu (Arts of Japan), 241. Tokyo: Shibundō.
    
 
    
        Mitsuoka Tadanari
    
    
        1966
    
    
        Shigaraki, Iga, Bizen, Tanba. Tōki zenshū (Survey of ceramics), 20. Tokyo: Heibonsha.
    
 
    
        Miyajima Shin’ichi
    
    
        1980
    
    
        “Shōbyōga ni miru kaiga no hen” (Historical changes in Japanese screen painting). Bijutsushi 29, no. 2 (March): 119–26.
    
 
    
        Miyajima Shin’ichi
    
    
        1984
    
    
        Nagasawa Rosetsu. Nihon no bijutsu (Arts of Japan), 219. Tokyo: Shibundō.
    
 
    
        Miyajima Shin’ichi
    
    
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        Tosa Mitsunobu to Tosa ha no keifu (Tosa Mitsunobu and the lineage of the Tosa School). Nihon no bijutsu (Arts of Japan), 247. Tokyo: Shibundō.
    
 
    
        Miyajima Shin’ichi
    
    
        1993
    
    
        Senmenga: Chūsei hen (Fan painting: Medieval period). Nihon no bijutsu (Arts of Japan), 320. Tokyo: Shibundō.
    
 
    
        Miyajima Shin’ichi
    
    
        1994
    
    
        Suibokuga: Daitokuji ha to Jasoku (Ink painting: The Daitokuji School and Jasoku). Nihon no bijutsu (Arts of Japan), 336. Tokyo: Shibundō.
    
 
    
        Miyake Hidekazu
    
    
        2005
    
    
        “Kinsei meisho zu byōbu no Yoshino to Itsukushima: Sono kumiawase to Toyotomi seiken to no kakawari ni tsuite” (Yoshino and Itsukushima in the early-modern folding screens of celebrated places—The relationship between the thematic combination of these places and the Toyotomi regime). Gakushūin Daigaku jinbungaku ronshū (Compilation of papers in the humanities from the faculty of Gakushūin University), 14. Tokyo: Gakushūin Daigaku.
    
 
    
        Miyake Hidekazu
    
    
        2014
    
    
        "Toyotomi Hideyoshi's Blossom Viewing at Yoshino and the Cherry Blossom Viewing Screens". Shubi: A Quarterly                     Journal for the Arts of East Asia, vol. 11, Special Issue. Shubisha Publishing Co. (Spring): 52-67.
    
 
    
        Miyake Hisao
    
    
        1986
    
    
        “Kamakura jidai no Jōdo shūkyōdan ni okeru zōzō ni kansuru kenkyū” (Study of sculptural activities in the religious circles of the Jōdo sect during the Kamakura period). Kajima bijutsu zaidan nenpō 4: 135–39.
    
 
    
        Miyake Kyūnosuke
    
    
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        Uragami Gyokudō shinsekishū 1 (The authentic works of Uragami Gyokudō, 1). Tokyo: Bijutsu Shuppansha.
    
 
    
        Miyama Susumu
    
    
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        [Editor]. Kamakura Bukkyō (Buddhism in Kamakura). Zusetsu Nihon no Bukkyō (Illustrated history of Japanese Buddhism), 4. Tokyo: Shinchōsha.
    
 
    
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        [Editors]. Kadokawa emakimono sōran (Kadokawa comprehensive survey of illustrated handscrolls). Tokyo: Kadokawa Shoten.
    
 
    
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        1942
    
    
        [Editors]. Inabadō engi; Ōeyama ekotoba; Kitano honchi (History of Inabadō; The illustrated story of Ōeyama; The origins of the Kitano Shrine). Zoku Nihon emakimono shūsei (Japanese handscroll paintings: Second series), 1. Tokyo: Yūzankaku.
    
 
    
        Mizuno Keizaburō
    
    
        2003–10
    
    
        [Editor]. Nihon chōkokushi kiso shiryō shūsei: Kamakura jidai: zōzō meiki hen (History of Japanese sculpture: Records of sculpture-making in the Kamakura period). 9 vols. Tokyo: Chūōkōron Bijutsu Shuppan.
    
 
    
        Mizuno Keizaburō, Kon’no Toshifumi, and Suzuki Kakichi [Mizuno Keizaburō et al.]
    
    
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        [Editors]. Mikkyō jiin to butsuzō (Esoteric Buddhist temples and sculpture). Heian no kenchiku, chōkoku (Architecture and sculpture of the Heian period), vol. 1. Nihon bijutsu zenshū (Survey of Japanese art), 5. Tokyo: Kōdansha.
    
 
    
        Mizuno Keizaburō, Kudō Yoshiaki, and Miyake Hisao [Mizuno Keizaburō et al.]
    
    
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        [Editors]. Unkei to Kaikei: Kamakura no kenchiku, chōkoku (Unkei and Kaikei: Architecture and sculpture of the Kamakura period). Nihon bijutsu zenshū (Survey of Japanese art), 10. Tokyo: Kōdansha.
    
 
    
        Mizuo Hiroshi
    
    
        1965–66
    
    
        Sōtatsu-Kōrin ha gashū (Paintings of the Sōtatsu-Kōrin School). 4 vols. Kyoto: Kōrinsha.
    
 
    
        Mizuo Hiroshi
    
    
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        “Getsuya hakubai zu” (“White Plum Blossoms in the Moonlight”). Kokka, no. 910 (January): 32–36.
    
 
    
        Moes, Robert
    
    
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        Rosetsu: Exhibition of Paintings by Nagasawa Rosetsu. Exh. cat. Denver: Denver Art Museum.
    
 
    
        Moes, Robert
    
    
        1975
    
    
        A Flower for Every Season: Japanese Paintings from the C. D. Carter Collection. New York: The Brooklyn Museum of Art.
    
 
    
        “Mokubei”
    
    
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        “Mokubei tokushū” (Special number devoted to the works of Aoki Mokubei). Yamato bunka, no. 47 (October).
    
 
    
        Mōri Hisashi
    
    
        1961
    
    
        Busshi Kaikei ron (On the Buddhist sculptor Kaikei). Tokyo: Yoshikawa Kōbunkan.
    
 
    
        Mōri Hisashi
    
    
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        “Kaikei shūi” (Notes on the sculptor Kaikei). Bukkyō geijutsu / Ars Buddhica, no. 71 (July): 22–41.
    
 
    
        Mori Senzō
    
    
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        “Maruyama Ōkyo den zakki” (Biographical notes on Maruyama Ōkyo). Bijutsu kenkyū, no. 36 (December): 584–93.
    
 
    
        Mori Tōru
    
    
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        “Den Fujifusa hitsu no kasen-e ni tsuite” (Portraits of immortal poets, attributed to Fujifusa). Yamato bunka, no. 26 (June): 37–47.
    
 
    
        Mori Tōru
    
    
        1965
    
    
        “Jidai fudō uta awase-e ni tsuite” (Paintings of poetry competitions of different periods). Kobijutsu, no. 8 (March): 25–57.
    
 
    
        Mori Tōru
    
    
        1978
    
    
        Uta awase-e no kenkyū: Kasen-e (Studies of paintings of poetry competitions: Portraits of the Immortal Poets). Rev. ed. Tokyo: Kadokawa Shoten.
    
 
    
        Mori Tōru
    
    
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        [Editor]. Sanjūrokkasen-e (Portraits of the Thirty-Six Immortal Poets). Shinshū Nihon emakimono zenshū (Survey of Japanese handscroll paintings: New edition), 19. Tokyo: Kadokawa Shoten.
    
 
    
        Morse, Anne Nishimura, and Samuel Crowell Morse
    
    
        1995
    
    
        Object as Insight: Japanese Buddhist Art and Ritual. Exh. cat. Katonah, N.Y.: Katonah Museum of Art.
    
 
    
        Morse, Anne Nishimura, and Samuel Crowell Morse
    
    
        1996
    
    
        “Object as Insight: Japanese Buddhist Art and Ritual.” Orientations 27, no. 2 (February): 36–45.
    
 
    
        Murai Iwao
    
    
        1971
    
    
        Kofun (Ancient tumuli). Nihon no bijutsu (Arts of Japan), 57. Tokyo: Shibundō.
    
 
    
        Murakami Genzō
    
    
        1975
    
    
        “Heike monogatari no sekai” (The world of the Tale of the Heike). In Heike monogatari emaki (Illustrated Tale of the Heike). Bessatsu Taiyō, 13. Tokyo: Heibonsha.
    
 
    
        Muraki Chii
    
    
        1960
    
    
        “Kusaba Akira shi” (Mr. Aira Kusaba). Nihon bijutsu kōgei, no. 260 (May): 42–48.
    
 
    
        Murasaki Shikibu
    
    
        1976
    
    
        The Tale of Genji. Translated by Edward G. Seidensticker. 2 vols. New York: Alfred A. Knopf.
    
 
    
        Murasaki Shikibu
    
    
        1982
    
    
        Murasaki Shikibu: Her Diary and Poetic Memoirs; A Translation and Study. Translated by Richard Bowring. Princeton Library of Asian Translations. Princeton: Princeton University Press.
    
 
    
        Murase, Miyeko
    
    
        1967
    
    
        “Japanese Screen Paintings of the Hōgen and Heiji Insurrections.” Artibus Asiae 29 (Spring): 193–228.
    
 
    
        Murase, Miyeko
    
    
        1971
    
    
        Byōbu: Japanese Screens from New York Collections. Exh. cat. New York: Asia Society.
    
 
    
        Murase, Miyeko
    
    
        1975
    
    
        Japanese Art: Selections from the Mary and Jackson Burke Collection. Exh. cat. New York: The Metropolitan Museum of Art.
    
 
    
        Murase, Miyeko
    
    
        1977
    
    
        “A Recent Arrival in the Ranks of the Great Collectors.” Smithsonian 8, no. 3 (June): 84–91.
    
 
    
        Murase, Miyeko
    
    
        1980a
    
    
        “Sumiyoshi monogatari emaki” (Illustrated Tale of Sumiyoshi). In Akiyama Terukazu 1980a, pp. 114–21.
    
 
    
        Murase, Miyeko
    
    
        1980b
    
    
        Urban Beauties and Rural Charms: Japanese Art from the Mary and Jackson Burke Collection. Exh. cat. Orlando, Fla.: Loch Haven Art Center.
    
 
    
        Murase, Miyeko
    
    
        1983a
    
    
        Emaki: Narrative Scrolls from Japan. Exh. cat. New York: Asia Society.
    
 
    
        Murase, Miyeko
    
    
        1983b
    
    
        Iconography of “The Tale of Genji”: Genji monogatari ekotoba. New York: Weatherhill.
    
 
    
        Murase, Miyeko
    
    
        1985
    
    
        “Themes from Three Romantic Narratives of the Heian Period.” Apollo 121, no. 276 (February): 100–107.
    
 
    
        Murase, Miyeko
    
    
        1986
    
    
        Tales of Japan: Scrolls and Prints from the New York Public Library. Exh. cat. Oxford: Oxford University Press.
    
 
    
        Murase, Miyeko
    
    
        1990
    
    
        Masterpieces of Japanese Screen Painting: The American Collections. New York: George Braziller.
    
 
    
        Murase, Miyeko
    
    
        1992
    
    
        Il Giappone. Storia universale dell’arte: La civiltà dell’Oriente. Turin: UTET.
    
 
    
        Murase, Miyeko
    
    
        1993
    
    
        Jewel Rivers: Japanese Art from the Burke Collection. Exh. cat. Richmond: Virginia Museum of Fine Art.
    
 
    
        Murase, Miyeko
    
    
        1995
    
    
        “The Evolution of Meisho-e and the Case of Mu Tamagawa.” Orientations 26, no. 1 (January): 94–100.
    
 
    
        Murase, Miyeko
    
    
        1997
    
    
        “Youthful Manjusri as the Child God of the Wakamiya at the Kasuga Shrine.” The Metropolitan Museum of Art Bulletin (Fall): 92.
    
 
    
        Murase, Miyeko
    
    
        2000
    
    
        Bridge of Dreams: The Mary Griggs Burke Collection of Japanese Art. Exh. cat. New York: The Metropolitan Museum of Art.
    
 
    
        Murase, Miyeko
    
    
        2001
    
    
        The Tale of Genji: Legends and Paintings. New York: George Braziller.
    
 
    
        Murase, Miyeko
    
    
        2003
    
    
        [Editor]. Turning Point: Oribe and the Arts of Sixteenth-Century Japan. Exh. cat. New York: The Metropolitan Museum of Art; New Haven: Yale University Press.
    
 
    
        Murase, Miyeko
    
    
        2008
    
    
        “Kaihō Yūsetsu hitsu Genji monogatari emaki” (“Tale of Genji,” by Kaihō Yūsetsu. Kokka, no. 1358 (December): 39–41.
    
 
    
        Murashige Yasushi
    
    
        1989
    
    
        [Editor]. Rinpa. Vol. 1, Kachō (Birds and flowers). Kyoto: Shikōsha.
    
 
    
        Murashige Yasushi
    
    
        1991
    
    
        [Editor]. Rinpa. Vol. 4, Jinbutsu (Scenes from literature, people). Kyoto: Shikōsha.
    
 
    
        Murashige Yasushi
    
    
        1993
    
    
        [Editor]. Sōtatsu, Kōrin, Hōitsu: Rinpa. Edo meisaku gajō zenshū (Survey of masterpieces of painted albums from the Edo period), 6. Tokyo: Shinshindō.
    
 
    
        Murashige Yasushi and Kobayashi Tadashi
    
    
        1992
    
    
        [Editors]. Rinpa. Vol. 5, Sōgō (Assorted themes; Supplementary works). Kyoto: Shikōsha, 1992.
    
 
    
        Murata Seiko
    
    
        1983
    
    
        “Yamato Bunkakan zō Heian jidai mokuchō joshinzō ni tsuite” (On a wooden Shinto goddess of the Heian period, owned by the Museum Yamato Bunkakan). Yamato bunka, no. 71 (March): 21–31.
    
 
    
        Museum of Fine Arts, Boston
    
    
        1936
    
    
        Illustrated Catalogue of a Special Loan Exhibition of Art Treasures from Japan. Exh. cat. Boston: Museum of Fine Arts.
    
 
    
        Museum of Kyoto
    
    
        2008
    
    
        Genji monogatari sennenkiten (The millennium of The Tale of Genji). Exh. cat. Kyoto: Museum of Kyoto.
    
 
    
        Mushanokōji Saneatsu
    
    
        1942
    
    
        Bijutsu o kataru (Talking about the arts). Tokyo: Bungei Shunjūsha.
    
 
    
        Nagahiro Toshio
    
    
        1949
    
    
        Hiten no geijutsu (Hiten in the arts). Tokyo: Asahi Shinbunsha.
    
 
    
        Nagasaki Iwao
    
    
        1993
    
    
        Kosode. Nihon no senshoku, Kyoto Shoin bijutsu sōsho (Kyoto Shoin’s art library of Japanese textiles), 4. Kyoto: Kyoto Shoin.
    
 
    
        Nagazumi Yasuaki, Takeda Tsuneo, and Uwayokote Masataka [Nagazumi Yasuaki et al.]
    
    
        1979
    
    
        [Editors]. Heike monogatari (The Tale of the Heike). Zusetsu Nihon no koten (Survey of illustrated Japanese classics), 9. Tokyo: Shūeisha.
    
 
    
        Nagoya City Museum
    
    
        1984
    
    
        Tokubetsu ten, Shirarezaru Nanga-ka Hyakusen (Special exhibition: The unappreciated Nanga artist Hyakusen). Exh. cat. Nagoya: Nagoya City Museum.
    
 
    
        Naitō Masato
    
    
        1989
    
    
        “Katsukawa Shunshō no nikuhitsu bijinga ni tsuite” (On the paintings of beautiful women by Katsukawa Shunshō). Bijutsushi 38, no. 1 (March): 57–81.
    
 
    
        Naitō Tōichirō
    
    
        1932
    
    
        Nihon Bukkyō zuzō shi: 1, Yakushi Nyorai, Amida Nyorai (History of Japanese Buddhist images: 1, Yakushi Buddha and Amida Buddha). Tokyo: Tōhō Shoin.
    
 
    
        Nakabe Yoshitaka
    
    
        1989
    
    
        “Mokuhan kingindei ryōshi sōshoku ni tsuite: Hangi to sono katsuyōhō o chūshin ni” (Concerning the ornamentation of papers imprinted with gold and silver pigments by block printing, with primary attention to the woodblocks and their application in the printing process). Yamato bunka, no. 81 (March): 30–42.
    
 
    
        Nakabe Yoshitaka
    
    
        1991
    
    
        “Den Sōtatsu hitsu Ise monogatari zu shikishi kenkyū josetsu” (Introduction to the study of the poem cards of the Tales of Ise attributed to Sōtatsu). In Murashige Yasushi 1991, pp. 241–45.
    
 
    
        Nakagawa Chisaku
    
    
        1974
    
    
        Kutaniyaki (Kutani ware). Nihon no bijutsu (Arts of Japan), 103. Tokyo: Shibundō.
    
 
    
        Nakahashi, Gratia Williams
    
    
        1990
    
    
        “‘The Bodhisattva Jizō Playing a Flute,’ by Kano Tan’yū: A New Interpretation.” Orientations 21, no. 12 (December): 36–45.
    
 
    
        Nakahashi, Gratia Williams
    
    
        2002
    
    
        “Kano Tan’yū hitsu Fuefuki Jizō-zu” (“The Bodhisattva Jizō Playing a Flute,” by Kano Tan’yū). Kokka (December), no. 1286: 37–42.
    
 
    
        Nakajima Junji
    
    
        1968
    
    
        “Sozai keishiki shugi eno tenraku: Sesshū kei kachōzu byōbu kenkyū 2” (Study of flower-and-bird screens by Sesshū and artists of his school, 2: Trend for dominance of formalistic units in compositions). [Tokyo] Museum, no. 205 (April): 4–21.
    
 
    
        Nakajima Junji
    
    
        1994
    
    
        Suibokuga: Shōkei to Sesson (Ink painting: Shōkei and Sesson). Nihon no bijutsu (Arts of Japan), 337. Tokyo: Shibundō.
    
 
    
        Nakajima Ryōichi
    
    
        1982
    
    
        “Tani Bunchō no Chūgoku sansuiga kenkyū josetsu” (Introduction to the study of Chinese landscape painting by Bunchō Tani). Kobijutsu, no. 61 (January): 47–56.
    
 
    
        Nakamachi Keiko
    
    
        1990
    
    
        “Sakai Hōitsu ni okeru Kōrin ga no keishō to tenkai” (The preservation and development of Kōrin’s art in Hōitsu’s oeuvre). Kajima bijutsu zaidan nenpō (Kajima Foundation for the Arts annual report) 8: 87–90.
    
 
    
        Nakamachi Keiko
    
    
        1992a
    
    
        Sakai Hōitsu. Shūkan Artists Japan. Tokyo: Shinshūsha.
    
 
    
        Nakamachi Keiko
    
    
        1992b
    
    
        “Shinshutsu no Sōtatsu ha Ise monogatari-e shikishi ni tsuite” (Recently discovered Sōtatsu School shikishi paintings on the Ise monogatari). Kokka, no. 1154: 11–28.
    
 
    
        Nakamachi Keiko
    
    
        1998
    
    
        “Nihon kinsei Bijutsu ni okeru Bunjinshumi no kenkyū 1” (A study of trends among Japanese literati artists of the early modern era, 1). Jissen Joshidai bigaku bijutsushigaku (Study in aesthetics and art history at Jissen Women’s University), 13.
    
 
    
        Nakamachi Keiko
    
    
        2010
    
    
        [Editor]. Edo Rinpa no suijin: Sakai Hōitsu (Sakai Hōitsu: A sophisticate of Edo Rinpa). Nihon no kokoro (Spirit of Japan), 177. Tokyo: Heibonsha.
    
 
    
        Nakamachi Keiko
    
    
        2012
    
    
        “Egaita josei tachi—Heian jidai kara Edo jidai o chūshin ni” (Women who painted: Focusing on the Heian to Edo periods). Kokka (March), no. 1397: 25–39.
    
 
    
        Nakamura Kōji
    
    
        1993
    
    
        “Jūroku Rakan zuzōgaku kotohajime” (The origin of the iconography of the Sixteen Arhats). Bukkyō geijutsu / Ars Buddhica, no. 206 (January): 15–29.
    
 
    
        Nakamura Kōji
    
    
        1996
    
    
        “Jūroku Rakan zuzōgaku kotohajime: Fukko Rakan zu” (The origin of the iconography of the Sixteen Arhats: A picture of Tiger and Arhat). Bukkyō geijutsu / Ars Buddhica, no. 227 (July): 79–97.
    
 
    
        Nakamura Tanio
    
    
        1959a
    
    
        Sumi-e no bi (The beauty of ink painting). Tokyo: Meiji Shobō.
    
 
    
        Nakamura Tanio
    
    
        1959b
    
    
        “Tagasode zu byōbu” (Tagasode screen paintings). Kokka, no. 804 (March): 84–91.
    
 
    
        Nakamura Tanio
    
    
        1959c
    
    
        “Tesshū Tokusai no gaji” (Paintings by Tesshū Tokusai). [Tokyo] Museum, no. 98 (May): 20–22.
    
 
    
        Nakamura Tanio
    
    
        1966
    
    
        “Gyokuen Bonpō hitsu Bokuran zu sōfuku” (A pair of “Orchids” by Gyokuen Bonpō). Kobijutsu, no. 14 (August): 105–8.
    
 
    
        Nakamura Tanio
    
    
        1967a
    
    
        “Kenzan hitsu kōbai, tachiaoi zu byōbu” (Kenzan’s screens of red plum and hollyhocks). Kobijutsu, no. 16 (January 1967): 89–90.
    
 
    
        Nakamura Tanio
    
    
        1967b
    
    
        “Nagasawa Rosetsu hitsu Yūku zu fusuma-e” (“Fusuma Sliding Doors with Puppies,” by Nagasawa Rosetsu). Kobijutsu, no. 18 (July 1967): 91.
    
 
    
        Nakamura Tanio
    
    
        1970
    
    
        “Bokudō zu, Sekkyakushi hitsu” (Sekkyakushi’s painting of the Ox and Herdboy). Nihon bijutsu kōgei, no. 379 (January): 98–99.
    
 
    
        Nakamura Tanio
    
    
        1971
    
    
        Sesson to Kantō suibokuga (Sesson and ink painting of the Kantō region). Nihon no bijutsu (Arts of Japan), 63. Tokyo: Shibundō.
    
 
    
        Nakamura Tanio
    
    
        1972
    
    
        “Tesshū Tokusai hitsu Rogan zu” (“Geese and Reeds,” by Tesshū Tokusai). Kobijutsu, no. 38 (September): 79–81.
    
 
    
        Nakamura Tanio
    
    
        1973
    
    
        “Tesshū Tokusai hitsu Ranchikuseki zu” (“Orchids, Bamboos, and Stones,” by Tesshū Tokusai). Kobijutsu, no. 40 (March): 69–71.
    
 
    
        Nakamura Tanio
    
    
        1979
    
    
        [Editor]. Hōitsu ha kachōga fu. (Edo: Rinpa and artists surrounding Sakai Hōitsu). 6 vols. Kyoto: Shikōsha.
    
 
    
        Nakamura Tanio
    
    
        1985
    
    
        “Koka ni hisui zu: Senka Sōsetsu hitsu” (“Withered Lotus Leaf and a Kingfisher,” by Senka Sōsetsu). Kobijutsu, no. 76 (October): 129–33.
    
 
    
        Nakano Genzō
    
    
        1986
    
    
        Fudō Myōō zō (Images of Fudō Myōō). Nihon no bijutsu (Arts of Japan), 238. Tokyo: Shibundō.
    
 
    
        Nakano Masaki
    
    
        1969
    
    
        Wakyō (Japanese mirrors). Nihon no bijutsu (Arts of Japan), 42. Tokyo: Shibundō.
    
 
    
        Namiki Seiji
    
    
        1989
    
    
        “Kōdaiji Mitamaya zushi maki-e kō: Kōdaiji maki-e shiron 1” (Study of maki-e on the Kōdaiji Mitamaya Shrine: A preliminary study on Kōdaiji maki-e, 1). Uryū 12: 1–10.
    
 
    
        Nara National Museum
    
    
        1964a
    
    
        Suijaku bijutsu (Shinto syncretic art). Tokyo: Kadokawa Shoten.
    
 
    
        Nara National Museum
    
    
        1964b
    
    
        Suijaku mandara (Shinto syncretic mandalas). Tokyo: Kadokawa Shoten.
    
 
    
        Nara National Museum
    
    
        1976
    
    
        Asuka no senbutsu to sozō: Kawaradera urayama shutsudohin o chūshin to shite (Senbutsu and clay sculptures from Asuka: Archaeological finds from the hill behind Kawaradera). Exh. cat. Nara: Nara National Museum.
    
 
    
        Nara National Museum
    
    
        1992
    
    
        Tokubetsuten: Mikkyō kōgei—shinpi no katachi (Special exhibition: Applied art of Japanese esoteric Buddhism—Forms of mystic ritual). Exh. cat. Nara: Nara National Museum.
    
 
    
        Nara Prefectural Museum of Art
    
    
        1989
    
    
        Soga Chokuan, Nichokuan no kaiga (Paintings of Soga Chokuan and Nichokuan). Exh. cat. Nara: Nara Prefectural Museum of Art.
    
 
    
        Nara Prefectural Museum of Art
    
    
        1994
    
    
        Jūsan, jūyonseiki Nihon no suibokuga (Japanese ink painting of the thirteenth and fourteenth centuries). Exh. cat. Nara: Nara Prefectural Museum of Art.
    
 
    
        Narazaki Muneshige
    
    
        1953
    
    
        “Shinshutsu Tosa Mitsuyoshi hitsu Genji monogatari ejō ni tsuite” (On a newly discovered picture-album of the Genji monogatari). Kokka, no. 736 (July): 191–203.
    
 
    
        Narazaki Muneshige
    
    
        1955
    
    
        “Uragami Gyokudō hitsu Yakyō Hōkin zu” (“Landscape,” by Uragami Gyokudō). Kokka, no. 756 (March): 84–89.
    
 
    
        Narazaki Muneshige
    
    
        1964
    
    
        “Kyō meisho fūzoku zu byōbu ni tsuite” (On a folding-screen picture of the famous places and the manners and customs of Kyoto). Kokka, no. 868 (July): 11–17.
    
 
    
        Narazaki Muneshige
    
    
        1966
    
    
        “Unchō hitsu Ryūka bijin zu” (“Beautiful Women under a Willow Tree,” by Unchō). Kokka, no. 894 (September): 34.
    
 
    
        Narazaki Muneshige
    
    
        1969
    
    
        [Editor]. Zaigai hihō: Ōbei shūzō Nihon kaiga shūsei (Japanese paintings in Western collections). Vol. 3, Nikuhitsu ukiyo-e (Ukiyo-e paintings). Tokyo: Gakushū Kenkyūsha.
    
 
    
        Narazaki Muneshige
    
    
        1971
    
    
        “Kan’ō gyoraku zu byōbu” (“Cherry-Blossom Viewing and Pleasurable Fishing”). Kokka, no. 933 (May): 20–25.
    
 
    
        Narazaki Muneshige
    
    
        1974
    
    
        Shunshō. Ukiyo-e taikei (Compendium of ukiyo-e), 3. Tokyo: Shūeisha.
    
 
    
        Narazaki Muneshige
    
    
        1982
    
    
        [Editor]. Shunshō. Nikuhitsu ukiyo-e (Ukiyo-e paintings), 4. Tokyo: Shūeisha.
    
 
    
        Narazaki Muneshige
    
    
        1987
    
    
        Nikuhitsu ukiyo-e (Ukiyo-e paintings). Pt. 1, Kanbun–Hōreki (From the Kanbun to the Hōreki era). Nihon no bijutsu (Arts of Japan), 248. Tokyo: Shibundō.
    
 
    
        Narazaki Muneshige and Yamaguchi Keizaburō
    
    
        1983
    
    
        Kiyonaga, Shigemasa (Kiyonaga and Shigemasa: Ukiyo-e paintings). Nikuhitsu ukiyo-e (Ukiyo-e paintings), 5. Tokyo: Shūeisha.
    
 
    
        Narukami Yoshio
    
    
        1968
    
    
        Ekagami hyakusen (A selection of 100 masterpieces of mirrors with handles). Tsu, Mie Prefecture: Ekagami Sansō; Kyōto: Unsōdō.
    
 
    
        Narusawa Katsutsugu
    
    
        1985
    
    
        “Kano Naizen kō” (On Kano Naizen). Kobe Shiritsu Hakubutsukan kenkyū kiyō 2 (March): 3–17.
    
 
    
        Naruse Fujio
    
    
        1980
    
    
        Fuji no e: Kamakura jidai kara gendai made, kaikan 20-shūnen kinen tokubetsuten / Paintings of Mt. Fuji: Special Exhibition Celebrating the 20th Anniversary of the Museum Yamato Bunkakan. Exh. cat., Museum Yamato Bunkakan. Nara: Bunkakan.
    
 
    
        Nedachi Kensuke
    
    
        1997
    
    
        Aizen Myōō zō (Images of Aizen Myōō). Nihon no bijutsu (Arts of Japan), 376. Tokyo: Shibundō.
    
 
    
        Nezu Institute of Fine Arts
    
    
        1962
    
    
        Shōshō hakkei gashū (Paintings of the Eight Views of the Xiao and Xiang Rivers). Exh. cat. Tokyo: Nezu Institute of Fine Arts.
    
 
    
        Nezu Institute of Fine Arts
    
    
        1981
    
    
        Kobayashi Collection ten: Muromachi suibokuga o chūshin to shite (Exhibition of the Kobayashi Collection: With emphasis on Muromachi-period ink painting). Exh. cat. Tokyo: Nezu Institute of Fine Arts.
    
 
    
        Nezu Institute of Fine Arts and Tokugawa Art Museum
    
    
        1977
    
    
        Chaire (Tea caddies). Tokyo: Nezu Institute of Fine Arts; Nagoya: Tokugawa Art Museum.
    
 
    
        Nezu Institute of Fine Arts and Tokugawa Art Museum
    
    
        1998
    
    
        Kanan no yakimono: Ki Seto, Oribe, Aode Ko Kutani no genryū o motomete (The ceramics of South China: Sources for Ki Seto, Oribe, and Aode Ko Kutani). Kanshō shirīzu (Appreciation Series), 1. Exh. cat. Tokyo: Nezu Institute of Fine Arts.
    
 
    
        Nihon sankei-ten
    
    
        2005
    
    
        Nihon sankei-ten: Matsushima, Amanohashidate, Itsukushima (Exhibition of Japan’s three scenic spots: Matsushima, Amanohashidate, and Itsukushima). Exh. cat. Hiroshima Prefectural Museum of Art, Museum of Kyoto, and Tōhoku History Museum, Miyagi. Hiroshima: Hiroshima Prefectural Museum of Art.
    
 
    
        Nishida Hiroko
    
    
        1976
    
    
        Ko Imari. Nihon tōji zenshū (Survey of Japanese ceramics), 23. Tokyo: Chūōkōronsha.
    
 
    
        Nishida Hiroko
    
    
        1990
    
    
        Kutani. Nihon tōji taikei (Survey of Japanese ceramics), 22. Tokyo: Heibonsha.
    
 
    
        Nishigōri Ryōsuke
    
    
        2006
    
    
        “Kano Tan’yū hitsu Fuefuki: Jizō zō no zuzō” (Iconography of Jizō Playing a Flute). Kokka (March), no. 1325: 29–36.
    
 
    
        Nishikawa Kyōtarō
    
    
        1983
    
    
        Ichiboku zukuri to yosegi zukuri (Techniques of one-block and assembly-block carving). Nihon no bijutsu (Arts of Japan), 202. Tokyo: Shibundō.
    
 
    
        Ogino Museum of Art
    
    
        1991
    
    
        Ogino bijutsukan meihin sen (Collected masterworks from the Ogino Museum). Kurashiki, Okayama Prefecture: Ogino Bijutsukan.
    
 
    
        Ogisu Jundō
    
    
        1982
    
    
        Takuan oshō nenpu (Chronology of the monk Takuan). Kinsei zensō den (Biographies of Zen monks of the early modern period), 1. Kyoto: Shibunkaku.
    
 
    
        Ōhashi Katsuaki
    
    
        1980
    
    
        “Kawaradera no zōbutsu to Hakuhō chōkoku no jōgen ni tsuite” (The production of Buddhist sculpture at Kawaradera and the earliest Buddhist sculpture made in the Hakuhō era). Bukkyō geijutsu / Ars Buddhica, no. 128 (January): 11–25.
    
 
    
        Ohki, Sadako
    
    
        2007
    
    
        “What Makes a Japanese Painting Japanese?” Yale University Art Gallery Bulletin: 64–81.
    
 
    
        Ohki, Sadako
    
    
        2009
    
    
        Tea Culture of Japan. Exh. cat. New Haven: Yale University Art Gallery.
    
 
    
        Okada Gyokuzan
    
    
        1937
    
    
        Konrei dōgu zushū (Illustrated guide to marriage trousseaux). Vol. 2, Konrei dōgu sho kikei sunpōsho, ten, chi, jin-kan (Trousseaux items: Various shapes and sizes, three volumes), edited by Masamune Atsuo. Nihon koten zenshū (Survey of Japanese classics). Tokyo: Nihon Koten Zenshū Kankōkai.
    
 
    
        Okada Rihei
    
    
        1960
    
    
        “Matsumura-ke ryakkei to Gekkei (Goshun) den” (The history of the Matsumura family and biography of Goshun). Nihon bijutsu kōgei, no. 266: 2–8.
    
 
    
        Okada Rihei
    
    
        1978
    
    
        Buson. Haijin no shoga bijutsu (Calligraphy and painting of the haikai poets), 5. Tokyo: Shūeisha.
    
 
    
        Okamoto Ryōichi and Wakisaka Atsushi
    
    
        1984
    
    
        Kuge, buke (Courtiers and warriors). Kinsei fūzoku zufu (Fashion trends in the early modern era), 11. Tokyo: Shōgakukan.
    
 
    
        Okamoto Yoshitomo and Takamizawa Tadao
    
    
        1970
    
    
        Nanban byōbu (Nanban screens). 2 vols. Tokyo: Kajima Shuppankai.
    
 
    
        Okayama Art Museum
    
    
        1970
    
    
        Uragami Gyokudō to sono jidai (Uragami Gyokudō and his time). Okayama: Okayama Art Museum.
    
 
    
        Okazaki Jōji
    
    
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        Chen Chi-kwan, geb 1921: Chinesische Malerei. Exh. cat., Museum für Ostasiatische Kunst, Berlin. Berlin: G & H Verlag.
    
 
    
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        “Sesson hitsu Shichiken suibu zu” (“The Seven Wise Men of the Bamboo Grove in a Drunken Revelry,” by Sesson). Kokka, no. 591 (February): 40–41.
    
 
    
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        Kōgei ni miru koten bungaku ishō (The world of Japanese classical literature in craft design). Exh. cat., Kyoto National Museum. Kyoto: Shikōsha.
    
 
    
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        “The Tale of Genji and the Dynamics of Cultural Production: Canonization and Popularization.” In Shirane 2008a, pp. 1–46.
    
 
    
        Shiten’nōji no Hōmotsu
    
    
        1992
    
    
        Shiten’nōji no Hōmotsu to Shōtoku Taishi shinkō (Treasures of the Shiten’nōji Temple and the worship of Prince Shōtoku). Exh. cat., Osaka Municipal Museum of Art and Suntory Museum of Art, Tokyo. Osaka: Executive Committee for the Exhibition “Treasures of the Shiten’nōji Temple and the Worship of Prince Shōtoku.”
    
 
    
        “Shōhaku hitsu Shakkyō zu”
    
    
        1899
    
    
        “Shōhaku hitsu Shakkyō zu” (“Stone Bridge,” by Shōhaku). Kokka, no. 118 (October): 193.
    
 
    
        Shōtō Art Museum of Shibuya Ward
    
    
        1995
    
    
        Kinsei shūkyō bijutsu no sekai: Hen’yō suru shinbutsu tachi (The world of religious arts in the early modern period: Transformations of Buddhas and Shinto gods). Exh. cat. Tokyo: Shōtō Art Museum of Shibuya Ward.
    
 
    
        Shōtō Art Museum of Shibuya Ward
    
    
        1996
    
    
        Moji-e to e-moji no keifu: Kaikan jūgo-shūnen kinen tokubetsuten (Special fifteen-year anniversary exhibition: Traditions of writing-pictures and picture-writings). Exh. cat. Tokyo: Shōtō Art Museum of Shibuya Ward.
    
 
    
        Singer, Robert T.
    
    
        1998
    
    
        [Editor]. Edo: Art in Japan, 1615–1868. Exh. cat. Washington, D.C.: National Gallery of Art.
    
 
    
        Sin Ki-su and Nakao Hiroshi
    
    
        1996
    
    
        Taikei Chōsen tsūshinshi: Zenrin to yūkō no kiroku / Sekinin henshū Shin Kishū (Korean missions to Japan: Records of good neighborly relations). 8 vols. Tokyo: Akashi Shoten.
    
 
    
        Society of the Four Arts
    
    
        1963
    
    
        Japanese Paintings from the Frank E. Hart Collection. Exh. cat. Palm Beach, Fla.: Society of the Four Arts.
    
 
    
        Soper, Alexander C.
    
    
        1942
    
    
        “The Rise of Yamato-e.” Art Bulletin 24 (December): 351–79.
    
 
    
        Stanley-Baker, Richard
    
    
        1974
    
    
        “Gakuō’s Eight Views of Hsiao and Hsiang.” Oriental Art, n.s., 20 (Autumn): 284–303.
    
 
    
        Stern, Harold P.
    
    
        1971
    
    
        Rimpa: Masterworks of the Japanese Decorative School. Exh. cat. New York: Japan Society.
    
 
    
        Sugahara, Hisao
    
    
        1967
    
    
        Japanese Ink Painting and Calligraphy from the Collection of the Tokiwayama Bunko, Kamakura, Japan. Translated by Miyeko Murase et al. Exh. cat. Brooklyn: The Brooklyn Museum.
    
 
    
        Sugimoto Hidetarō
    
    
        2007
    
    
        Kyoto mugenki (Kyoto, dreams and fantasies). Tokyo: Shinchōsha.
    
 
    
        Sugimoto Hidetarō and Hoshino Suzu
    
    
        1994
    
    
        Gyokudō. Suibokuga no kyoshō (Great masters of ink painting), 13. Tokyo: Kōdansha.
    
 
    
        Sugimoto Sonoko and Kawai Masatomo
    
    
        1994
    
    
        Yūshō. Suibokuga no kyoshō (Great masters of ink painting), 4. Tokyo: Kōdansha.
    
 
    
        Sugimura Eiji
    
    
        1985
    
    
        Kameda Bōsai no sekai (The world of Kameda Bōsai). Tokyo: Miki Shobō.
    
 
    
        “Sumiyoshi Monogatari”
    
    
        1901
    
    
        Harold Parlett, translator. “The Sumiyoshi Monogatari.” Transactions of the Asiatic Society of Japan 29: 35–123.
    
 
    
        Suntory Museum of Art
    
    
        1981
    
    
        Itsuō Bijutsukan meihin ten: Buson to Goshun (Exhibition of masterpieces from the Itsuō Art Museum: Buson and Goshun). Exh. cat. Tokyo: Suntory Museum of Art.
    
 
    
        Suntory Museum of Art
    
    
        1982
    
    
        Sakai Hōitsu to Edo Rinpa ha (Sakai Hōitsu and Edo Rinpa). Tokyo: Suntory Museum of Art.
    
 
    
        Suntory Museum of Art
    
    
        1986
    
    
        Sanjūrokkasen-e: Satakebon o chūshin ni (Sanjūrokkasen-e, with emphasis on the Satake version). Exh. cat. Tokyo: Suntory Museum of Art.
    
 
    
        Suntory Museum of Art
    
    
        1997
    
    
        Momoyama Hyakusō: Kinsei byōbu-e no sekai (One hundred screens of Momoyama: The world of screen painting in the early modern period). Exh. cat. Tokyo: Suntory Museum of Art.
    
 
    
        Suzuki Hideo and Kitani Mariko
    
    
        2006
    
    
        [Editors]. Ōchō no miyabi: Genji monogatari no sekai (Courtly elegance: The world of The Tale of Genji). Bessatsu Taiyō, supplement: Nihon no kokoro (Spirit of Japan), 140. Tokyo: Heibonsha.
    
 
    
        Suzuki Hiroyuki
    
    
        1989
    
    
        “Enjinsai Katō Nobukiyo hitsu Amida sanzon zō” (“Amidtabha Triad,” by Katō Nobukiyo). Bijutsu kenkyū, no. 343 (February): 37–45.
    
 
    
        Suzuki Hiroyuki
    
    
        2007
    
    
        Meisho fūzokuzu (Genre paintings of famous places). Nihon no bijutsu (Arts of Japan), 491. Tokyo: Shibundō.
    
 
    
        Suzuki Kei
    
    
        1964
    
    
        “Gyokkan Jakufun shiron” (A study of Yü-chien Jo-fen). Bijutsu kenkyū, no. 236 (September): 79–92.
    
 
    
        Suzuki Keizō
    
    
        1952
    
    
        “Heiji monogatari emaki: Rokuhara kassen no maki” (Paintings in the scroll of the Heiji monogatari: “Battle at Rokuhara”). Kokka, no. 727 (October): 309–16.
    
 
    
        Suzuki Norio
    
    
        1985
    
    
        Shikkō (Lacquerware: Medieval period). Nihon no bijutsu (Arts of Japan), 230. Tokyo: Shibundō.
    
 
    
        Suzuki Susumu
    
    
        1963
    
    
        Chikuden. Tokyo: Nihon Keizai Shinbunsha.
    
 
    
        Suzuki Susumu
    
    
        1970
    
    
        “Uragami Gyokudō hitsu Zan’u hanson zu” (“Hamlet in Lingering Rain,” by Gyokudō Uragami). Kobijutsu, no. 30 (June): 143–44.
    
 
    
        Suzuki Susumu
    
    
        1972
    
    
        “Kinsei byōbu-e meisaku ten ni omou koto” (Newly found screens). Kobijutsu, no. 36 (March): 47–56.
    
 
    
        Suzuki Susumu
    
    
        1973
    
    
        “Yamamoto Baiitsu hitsu Shiki sansui zu” (“Landscape of Four Seasons,” by Yamamoto Baiitsu). Kobijutsu, no. 40 (March): 79–82.
    
 
    
        Suzuki Susumu
    
    
        1975
    
    
        Ike Taiga. Nihon no bijutsu (Arts of Japan), 114. Tokyo: Shibundō.
    
 
    
        Suzuki Susumu
    
    
        1978
    
    
        Uragami Gyokudō. Nihon no bijutsu (Arts of Japan), 148. Tokyo: Shibundō.
    
 
    
        Suzuki Susumu and Sasaki Jōhei
    
    
        1979
    
    
        Ike Taiga. Nihon bijutsu kaiga zenshū (Survey of Japanese painting), 18. Tokyo: Shūeisha.
    
 
    
        Swinton, Elizabeth de Sabato, Kazue Edamatsu Campbell, Liza Crihfield Dalby, and Mark Oshima [Swinton et al.]
    
    
        1995
    
    
        The Women of the Pleasure Quarter: Japanese Paintings and Prints of the Floating World. Exh. cat., Worcester Art Museum; Equitable Gallery, New York; and Kimbell Art Museum, Fort Worth. New York: Hudson Hills Press.
    
 
    
        Takasaki Fujihiko
    
    
        1985
    
    
        Rakan zu (Rakan paintings). Nihon no bijutsu (Arts of Japan), 234. Tokyo: Shibundō.
    
 
    
        Takashimaya Department Store
    
    
        1965
    
    
        Byōbu-e meisaku ten (Exhibition of masterpieces of folding-screen painting). Exh. cat., Takashimaya Department Store. Tokyo: Nihon Keizai Shinbunsha Kikakubu.
    
 
    
        Takashina Shūji
    
    
        2000
    
    
        Nimai no e / Two Paintings. Tokyo: Mainichi Shinbunsha.
    
 
    
        Takeda Kōichi
    
    
        1986
    
    
        “Sō Shiseki no kōzu” (Composition in the paintings of Sō Shiseki). In Yamakawa Takeshi et al. 1986.
    
 
    
        Takeda Tsuneo
    
    
        1966
    
    
        Rakuchū-rakugai zu (Scenes in and around the capital). Exh. cat., Kyoto National Museum. Tokyo: Kadokawa Shoten.
    
 
    
        Takeda Tsuneo
    
    
        1967
    
    
        Kinsei shoki fūzokuga (Genre painting of the early modern period). Nihon no bijutsu (Arts of Japan), 20. Tokyo: Shibundō.
    
 
    
        Takeda Tsuneo
    
    
        1974
    
    
        Kano Eitoku. Nihon no bijutsu (Arts of Japan), 94. Tokyo: Shibundō.
    
 
    
        Takeda Tsuneo
    
    
        1976
    
    
        “Tosa Mitsuyoshi to saiga: Kyoto Kokuritsu Hakubutsukan Genji monogatari zujō o megutte” (Tosa Mitsuyoshi and miniature painting: The album of scenes from the Genji monogatari in the collection of the Kyoto National Museum). Kokka, no. 996 (December): 11–24.
    
 
    
        Takeda Tsuneo
    
    
        1977a
    
    
        Kano Eitoku. Translated and adapted by H. Mack Horton and Catherine Kaputa. Japanese Arts Library, 3. Tokyo: Kōdansha International.
    
 
    
        Takeda Tsuneo
    
    
        1977b
    
    
        [Editor]. Keibutsuga: Shiki keibutsu (Landscape: Scenes of four seasons). Nihon byōbu-e shūsei (Survey of Japanese screen paintings), 9. Tokyo: Kōdansha.
    
 
    
        Takeda Tsuneo
    
    
        1978a
    
    
        [Editor]. Fūzokuga: Rakuchū-rakugai (Genre painting: Scenes in and around the capital). Nihon byōbu-e shūsei, 11. Tokyo: Kōdansha.
    
 
    
        Takeda Tsuneo
    
    
        1978b
    
    
        Kano Tan’yū. Nihon bijutsu kaiga zenshū (Survey of Japanese painting), 15. Tokyo: Shūeisha.
    
 
    
        Takeda Tsuneo
    
    
        1979
    
    
        Chūsei byōbu-e (Folding-screen paintings of medieval Japan). Exh. cat., Osaka Municipal Museum of Art. Kyoto: Kyoto Shoin.
    
 
    
        Takeda Tsuneo
    
    
        1980
    
    
        [Editor]. Shōheiga (Screen painting). Zaigai Nihon no shihō (Japanese art: Selections from Western collections), 4. Tokyo: Mainichi Shinbunsha.
    
 
    
        Takeda Tsuneo and Matsunaga Goichi
    
    
        1994
    
    
        Tan’yū, Morikage. Suibokuga no kyoshō (Great masters of ink painting), 5. Tokyo: Kōdansha.
    
 
    
        Takeda Tsuneo, Yamane Yūzō, and Yoshizawa Chū [Takeda Tsuneo et al.]
    
    
        1977
    
    
        [Editors]. Fūzokuga: Yūraku, Tagasode (Genre painting: Pleasures and “Whose Sleeves”). Nihon byōbu-e shūsei (Survey of Japanese screen paintings), 14. Tokyo: Kōdansha.
    
 
    
        Takeuchi, Melinda
    
    
        1992
    
    
        Taiga’s True Views: The Language of Landscape Painting in Eighteenth-Century Japan. Stanford, Calif.: Stanford University Press.
    
 
    
        Takeuchi, Melinda
    
    
        1995
    
    
        “The Golden Link: Place, Poetry, and Paradise in a Medieval Japanese Design.” In Kuroda Taizō et al. 1995, pp. 30–55.
    
 
    
        Takeuchi Jun’ichi et al.
    
    
        1989
    
    
        Court and Samurai in an Age of Transition: Medieval Paintings and Blades from The Gotoh Museum, Tokyo. Exh. cat. New York: Japan Society.
    
 
    
        Takeuchi Misako
    
    
        1990
    
    
        “Ryūkyō suisha zu byōbu: Shinshutsubon no shōkai o kanete” (On willow-bridge and waterwheel screens: Also introducing a newly discovered example). Kokka, no. 1138 (September): 20–34 (pt. 1); no. 1139 (October): 7–18 (pt. 2).
    
 
    
        Takeuchi Shōji
    
    
        1972
    
    
        “Kyū Date-ke bon Hakuga dankin zu to Daisen’in Hōjō Ihatsu-kaku shōhekiga” (“Immortal Playing a Harp,” formerly owned by the Date family, and the screen paintings of the main hall of the Daisen’in Temple). Kobijutsu, no. 39 (December): 87–88.
    
 
    
        Tale of the Heike
    
    
        1988
    
    
        Helen Craig McCullough, translator. The Tale of the Heike. Stanford, Calif.: Stanford University Press.
    
 
    
        Tales of Ise
    
    
        1968
    
    
        Helen Craig McCullough, translator. Tales of Ise: Lyrical Episodes from Tenth-Century Japan. Stanford, Calif.: Stanford University Press.
    
 
    
        Tamagami Takuya
    
    
        1943
    
    
        “Byōbu-e to uta to monogatari to” (Screen paintings, poetry, and tales). Kokugo kokubun, no. 221 (June): 1–20.
    
 
    
        Tamamura Takeji
    
    
        1983
    
    
        Gozan zensō denki shūsei (Biographies of Zen priests of Gozan temples). Tokyo: Kōdansha.
    
 
    
        Tamamushi Satoko
    
    
        1991
    
    
        “Muromachi jidai no kingindei-e to Nōami hitsu Shū Hyakku no renga (Gold and silver painting in the Muromachi period and the “Shū Hyakku no renga,” by Nōami). Kokka, no. 1146: 21–41.
    
 
    
        Tamamushi Satoko
    
    
        1997
    
    
        Sakai Hōitsu. Shinchō Nihon bijutsu bunko (Shincho Japanese art library), 18. Tokyo: Shinchōsha.
    
 
    
        Tamamushi Satoko
    
    
        2004
    
    
        Toshi no naka no e: Sakai Hōitsu no kaiji to sono efekuto (Painting born in the urban environment of Edo: The art of Sakai Hōitsu and his followers). Tokyo: Seiunsha.
    
 
    
        Tamamushi Satoko
    
    
        2008
    
    
        Motto shiritai Sakai Hōitsu: Shōgai to sakuhin (I want to know more about Sakai Hōitsu: His training and oeuvre). Tokyo: Tōkyō Bijutsu.
    
 
    
        Tamura Etsuko
    
    
        1967
    
    
        “Heiji emaki Rokuhara kassen no maki kotoba-gaki no dankan ni tsuite: Fusete genzon sankan no shoseki ni oyobu” (A textual fragment of the Battle of Rokuhara Scroll of the Heiji War Scroll paintings, with a detailed examination of the calligraphy of the texts of the three existing scrolls). Bijutsu kenkyū, no. 252 (May): 13–31.
    
 
    
        Tanabe, Willa J.
    
    
        1988
    
    
        Paintings of the Lotus Sutra. New York: Weatherhill.
    
 
    
        Tanabe Saburōsuke
    
    
        1989
    
    
        [Editor]. Shinbutsu shūgō to shugen (The syncretism of Buddhism and Shinto and Shugen). Zusetsu Nihon no Bukkyō (Illustrated history of Japanese Buddhism), 6. Tokyo: Shinchōsha.
    
 
    
        Tanabe Shōzō
    
    
        1989
    
    
        Sue. Nihon tōji taikei (Survey of Japanese ceramics), 4. Tokyo: Heibonsha.
    
 
    
        Tanaka Ichimatsu
    
    
        1953
    
    
        “Kontai butsuga-jō to Takuma Tametō” (Buddhist iconographical manuscripts of the twelfth century and the Buddhist painter Tametō). Yamato bunka, no. 12 (December): 22–27.
    
 
    
        Tanaka Ichimatsu
    
    
        1957
    
    
        “Ike Taiga hitsu Rantei kyokusui, Gako shajitsu zu byōbu” (“Rantei kyokusui” and “Gako shajitsu,” by Taiga Ike). Kokka, no. 780 (March): 89–97.
    
 
    
        Tanaka Ichimatsu
    
    
        1958
    
    
        “Sesson hitsu Shiki sansui zu byōbu ni tsuite” (The screen painting “Landscapes of Four Seasons,” by Sesson). Bijutsu kenkyū, no. 198 (May): 1–10.
    
 
    
        Tanaka Ichimatsu
    
    
        1962
    
    
        [Editor]. Tokugawa Bijutsukan (Tokugawa Art Museum). Tokyo: Tōkyō Chūnichi Shinbun Shuppanbu.
    
 
    
        Tanaka Ichimatsu
    
    
        1965a
    
    
        “E-Ingakyō dankan gōma zu” (Illustrated Ingakyō sutra). Kokka, no. 881 (August): 24.
    
 
    
        Tanaka Ichimatsu
    
    
        1965b
    
    
        [Editor]. Kōrin (The art of Kōrin). Rev. ed. Tokyo: Nihon Keizai Shinbunsha.
    
 
    
        Tanaka Ichimatsu
    
    
        1966
    
    
        Nihon kaigashi ronshū (Collection of essays on the history of Japanese painting). Tokyo: Chūōkōron Bijutsu Shuppan.
    
 
    
        Tanaka Ichimatsu
    
    
        1971
    
    
        “Soga Jasoku to Sōjō o meguru shomondai” (Several problems regarding Soga Jasoku and Sōjō).” Bukkyō geijutsu / Ars Buddhica, no. 79 (April): 15–35.
    
 
    
        Tanaka Ichimatsu
    
    
        1972
    
    
        Japanese Ink Painting: Shūbun to Sesshū. Translated by Bruce Darling. Heibonsha survey of Japanese art, 12. New York: Weatherhill.
    
 
    
        Tanaka Ichimatsu
    
    
        1974
    
    
        Kaō, Mokuan, Minchō. Suiboku bijutsu taikei (Art of ink painting), 5. Tokyo: Kōdansha.
    
 
    
        Tanaka Ichimatsu and Nakamura Tanio
    
    
        1973
    
    
        Sesshū, Sesson. Suiboku bijutsu taikei (Art of ink painting), 7. Tokyo: Kōdansha.
    
 
    
        Tanaka Ichimatsu and Yonezawa Yoshiho
    
    
        1970
    
    
        Suibokuga (Ink painting). Genshoku Nihon no bijutsu (Japanese art in color), 11. Tokyo: Shōgakukan.
    
 
    
        Tanaka Ichimatsu and Yonezawa Yoshiho
    
    
        1978
    
    
        Hakubyōga kara suibokuga e no tenkai (The development of ink painting from hakubyō). Suiboku bijutsu taikei (Art of ink painting), 1. 1975: Tokyo: Kōdansha.
    
 
    
        Tanaka Ichimatsu, Yamanaka Rankei, and Kosugi Hōan [Tanaka Ichimatsu et al.]
    
    
        1957–59
    
    
        [Editors]. Ike Taiga sakuhin gafu (The works of Ike Taiga). 5 vols. Tokyo: Chūōkōron Bijutsu Shuppan.
    
 
    
        Tanaka Ichimatsu, Yamanaka Rankei, and Kosugi Hōan [Tanaka Ichimatsu et al.]
    
    
        1960
    
    
        [Editors]. Ike Taiga sakuhinshū (The works of Ike Taiga). 2 vols. Tokyo: Chūōkōron Bijutsu Shuppan.
    
 
    
        Tanaka Kaidō
    
    
        1942
    
    
        Koshakyō sōkan (Collection of hand-copied sutras). Nara: Ikaruga Koshakyō Shuppanbu.
    
 
    
        Tanaka Kisaku
    
    
        1933
    
    
        “Sōtatsu zakkō” (Studies on Sōtatsu, a Japanese painter of the seventeenth century). Bijutsu kenkyū, no. 20 (August): 362–73.
    
 
    
        Tanaka Kisaku
    
    
        1936
    
    
        “Gashi Shūtoku” (Shūtoku, a priest painter of the Ashikaga period). Bijutsu kenkyū, no. 54 (June): 236–42.
    
 
    
        Tanaka Kisaku
    
    
        1941
    
    
        Den Sōtatsu hitsu Ise monogatari zu (Paintings of the Tales of Ise attributed to Sōtatsu). Tokyo: Zōkei Geijutsusha.
    
 
    
        Tanaka Migaku
    
    
        1981
    
    
        Kokyō (Old mirrors). Nihon no bijutsu (Arts of Japan), 178. Tokyo: Shibundō.
    
 
    
        Tanaka Shinbi
    
    
        1932
    
    
        Sōtatsu hitsu Ise monogatari (Paintings of the Tales of Ise by Sōtatsu). Tokyo: Shōkokai.
    
 
    
        Tanaka Shinbi
    
    
        1960
    
    
        [Editor]. Nishihonganjibon Sanjūrokuninshū (Anthology of poems by the Thirty-Six Poets, Nishihonganji edition). Tokyo: Nihon Keizai Shinbunsha.
    
 
    
        Tanaka Tatsuya
    
    
        1984
    
    
        Nikuhitsu ukiyo-e meihin ten: Saki kaoru Edo no josei bi (Exhibition of masterpieces of ukiyo-e paintings: The beauty of Edo women, fragrant and blossoming). Exh. cat. Nagoya: Asahi Shinbunsha.
    
 
    
        Tanaka Yūko
    
    
        1998
    
    
        “Watarenai hashi” (Uncrossable Bridge). Nihon no bigaku 28: 36–51.
    
 
    
        Tanaka Yūko
    
    
        2000
    
    
        Edo hyakumu: Kinsei zuzōgaku no tanoshimi (Myriad dreams of Edo: An appreciation of early–modern iconographies). Tokyo: Asahi Shinbunsha.
    
 
    
        Tanikawa Tetsuzō, Kawabata Yasunari, and Narasaki Shōichi [Tanikawa Tetsuzō et al.]
    
    
        1990
    
    
        Hajiki, Sueki. Nihon no tōji: Kodai, chūsei hen (Japanese ceramics: Ancient and medieval), 1. Tokyo: Chūōkōronsha.
    
 
    
        Tani Shin’ichi
    
    
        1964
    
    
        “Rakuchū-rakugai zu byōbu” (Screen paintings of rakuchū-rakugai). Nihon rekishi, nos. 191–92 (April–May): 2–4.
    
 
    
        ten Grotenhuis, Elizabeth
    
    
        1999
    
    
        Japanese Mandalas: Representations of Sacred Geography. Honolulu: University of Hawai‘i Press.
    
 
    
        Teramoto Naohiko
    
    
        1964
    
    
        “Genji-e chinjō kō” (Debates on the production of illustrations of The Tale of Genji). Kokugo to kokubungaku (Japanese language and Japanese literature), no. 486 (September): 26–44 (pt. 1); no. 488 (November): 24–38 (pt. 2).
    
 
    
        Tobacco and Salt Museum
    
    
        1985
    
    
        Tabako to Shio no Hakubutsukan (Tobacco and Salt Museum). Tokyo: Tobacco and Salt Museum.
    
 
    
        Toby, Ronald
    
    
        2008
    
    
        “Sakoku to iu gaikō” (The politics of national seclusion). Nihon no rekishi (Japanese history), 9. Tokyo: Shōgakukan.
    
 
    
        Tochigi Prefectural Museum
    
    
        1994
    
    
        Kanzan Jittoku: Egakareta fūkyō no soshi tachi (Kanzan and Jittoku: A pair of eccentrics). Exh. cat. Utsunomiya: Tochigi Prefectural Museum.
    
 
    
        Tochigi Prefectural Museum and Kanagawa Prefectural Museum of Cultural History
    
    
        1998
    
    
        Kantō suibokuga no nihyakunen: Chūsei ni miru kata to imēji no keifu (Two hundred years of ink painting in the Kantō region: Lineage of stylistic models and themes in fifteenth- and sixteenth-century Japan). Exh. cat. Utsunomiya: Tochigi Prefectural Museum; Yokohama: Kanagawa Prefectural Museum of Cultural History.
    
 
    
        Toda Teisuke
    
    
        1973
    
    
        Mokkei, Gyokkan. Suiboku Bijutsu taikei (Art of ink painting), 3. Tokyo: Kōdansha.
    
 
    
        Tokugawa Art Museum
    
    
        1966
    
    
        Rimpa meihin ten (Exhibition of the art of the Kōrin School). Exh. cat. Nagoya: Tokugawa Art Museum.
    
 
    
        Tokugawa Yoshinobu, Ōishi Shinzaburō, and Saitō Keizō [Tokugawa Yoshinobu et al.]
    
    
        1983
    
    
        The Shogun Age Exhibition from the Tokugawa Art Museum, Japan. Exh. cat., Los Angeles County Museum of Art; Dallas Museum of Art; Haus der Kunst, Munich; Espace Pierre Cardin, Paris. Tokyo: Shogun Age Exhibition Executive Committee.
    
 
    
        Tokyo Metropolitan Teien Art Museum
    
    
        1986
    
    
        Muromachi bijutsu to Sengoku gadan: Ōta Dōkan kinen bijutsu ten (Art of the Muromachi and Sengoku periods: Ōta Dōkan Memorial Art Exhibition). Exh. cat. Tokyo: Tōkyō-to Bunka Shinkōkai.
    
 
    
        Tokyo National Museum
    
    
        1917
    
    
        Nanshū-ga shū (Southern-style paintings). [Tokyo]: Tokyo Imperial Museum.
    
 
    
        Tokyo National Museum
    
    
        1918
    
    
        Nansōgashu (A book of Nanga). [Tokyo]: Tokyo Imperial Museum.
    
 
    
        Tokyo National Museum
    
    
        1952
    
    
        Sōtatsu-Kōetsu ha zuroku (The art of the Sōtatsu-Kōetsu School). Exh. cat. Tokyo: Benridō.
    
 
    
        Tokyo National Museum
    
    
        1965
    
    
        Nihon no bunjingaten mokuroku (Exhibition catalogue of Japanese literati paintings). Exh. cat. Tokyo: Tokyo National Museum.
    
 
    
        Tokyo National Museum
    
    
        1971
    
    
        Tōyō no tōji: Tōyō tōji ten kinen zuroku (Commemorative catalogue of the exhibition of Oriental ceramics). Exh. cat. Tokyo: Tokyo National Museum.
    
 
    
        Tokyo National Museum
    
    
        1972
    
    
        Rinpa: Sōritsu hyakunen kinen tokubetsu ten (Special 100-year anniversary exhibition). Exh. cat. Tokyo: Tokyo National Museum.
    
 
    
        Tokyo National Museum
    
    
        1978
    
    
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        Cha no bijutsu (Art of the tea ceremony). Exh. cat. Tokyo: Tokyo National Museum.
    
 
    
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        Nihon bijutsu meihin ten: New York Burke Collection / A Selection of Japanese Art from the Mary and Jackson Burke Collection. Exh. cat. Tokyo: Chunichi Shimbun.
    
 
    
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        Nihon no tōji (Japanese ceramics). Exh. cat. Tokyo: Tokyo National Museum.
    
 
    
        Tokyo National Museum
    
    
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        Tokubetsu tenkan: Edo-jō shōhekiga no shita-e; Ōhiroma, matsu no rōka kara ōoku made (Special exhibition: Preliminary paintings for the screen and mural paintings of Edo Castle; From the great hall and pine corridor to the women’s quarters). Exh. cat. Tokyo: Tokyo National Museum.
    
 
    
        Tokyo National Museum
    
    
        1989a
    
    
        Edo-jō shōhekiga no shita-e (Preliminary paintings for the screen and mural paintings at Edo Castle). 2 vols. Tokyo: Daiichi Hōki.
    
 
    
        Tokyo National Museum
    
    
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        Muromachi jidai no byōbu-e (Screen paintings of the Muromachi period). Exh. cat. Tokyo: Asahi Shinbunsha.
    
 
    
        Tokyo National Museum
    
    
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        Yamato-e: Miyabi no keifu (Yamato-e: Japanese painting in the tradition of courtly elegance). Exh. cat. Tokyo: Tokyo National Museum.
    
 
    
        Tokyo National Museum
    
    
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        Tokubetsuten kisshō: Chūgoku bijutsu ni komerareta imi (Special exhibition, Jixiang: Auspicious motifs in Chinese art). Exh. cat. Tokyo: Tokyo National Museum.
    
 
    
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        Kokuhō Daitokujī Jukoīn no fusumae (National treasure, screen paintings from Daitokujī Jukoīn). Exh. cat. Tokyo: NHK, NHK Puromōshon, and Nihon Keizai Shinbunsha.
    
 
    
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        Darstellung realer Orte: Die “wahren Landschaften” des “Malenden Reporters” Tani Bunchō (1763–1840). Schweizer Asiatische Studien, 47. Bern: Peter Lang.
    
 
    
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        Tsuji Nobuo
    
    
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        Tsuji Nobuo
    
    
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        Tsuji Nobuo
    
    
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        Tsuji Nobuo
    
    
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        Tsuji Nobuo
    
    
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        Tsuji Nobuo
    
    
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        [Editor]. Bunjinga, shoha (Literati painting and other schools). Zaigai Nihon no shihō (Japanese art: Selections from Western collections), 6. Tokyo: Mainichi Shinbunsha.
    
 
    
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        Yamaguchi Prefectural Museum of Art
    
    
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        Yamakawa Takeshi
    
    
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        Tōyō kobijutsu tenkan zuroku (Catalogue of an exhibition of antiques). Sales cat. Tokyo: Tokyo Art Club.
    
 
    
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        Yamane Yūzō
    
    
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        Yamane Yūzō
    
    
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        “Tawaraya Sōtatsu to ihon Ise monogatari-e oyobi Shukongōshin engi-e: Shinshutsu no Ise monogatari zu byōbu o chūshin ni” (Tawaraya Sōtatsu and illustrated scrolls of Ise Monogatari and Shukongōshin Engi). Kokka, no. 977 (February): 11–33.
    
 
    
        Yamane Yūzō
    
    
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        Yamaoka Taizō
    
    
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        Kano Masanobu, Motonobu. Nihon bijutsu kaiga zenshū (Survey of Japanese painting), 7. Tokyo: Shūeisha.
    
 
    
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        “Kakei to Muromachi suibokuga” (Xia Gui and Muromachi ink painting). In Nihon bijutsushi no suimyaku (Currents in Japanese art history), edited by Tsuji Nobuo Sensei Kanreki Kinenkai. Tokyo: Perikansha.
    
 
    
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        Yanagisawa Taka
    
    
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        Yanagisawa Taka
    
    
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        Yasumura Toshinobu
    
    
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        “Kano Tan’yū no denki shiryō ni tsuite: Fu Kano Tan’yū nenpu” (On the historical materials on Kano Tan’yū’s life, supplemented by Kano Tan’yū chronology). Bunka 42, nos. 1–2 (September): 17–36.
    
 
    
        Yasumura Toshinobu
    
    
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        Yasumura Toshinobu
    
    
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        Yiengpruksawan, Mimi Hall
    
    
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        “One Millionth of a Buddha: The Hyakumantō Darani in the Scheide Library.” Princeton University Library Chronicle 48 (Spring): 225–38.
    
 
    
        Yi Song-Mi
    
    
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        “Yi Chong: The Foremost Bamboo Painter of the Choson Dynasty.” Orientations, vol. 29, no. 8 (August): 61–68.
    
 
    
        Yokota Tadashi
    
    
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        Yokoyama Kumiko
    
    
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        “Suzuki Kiitsu kō: Denki oyobi zōkeijō no shomondai” (A study of Suzuki Kiitsu’s biography and characteristics of his paintings). Bijutsushi, no. 136 (March): 193–216.
    
 
    
        Yonezawa Yoshiho
    
    
        1959
    
    
        “Sekkyakushi hitsu Bokudō zu” (“A Cowboy”). Kokka, no. 802 (January): 17–18.
    
 
    
        “Yosa Buson hitsu Kachō zu kai”
    
    
        1930
    
    
        “Yosa Buson hitsu Kachō zu kai” (“A Willow, a Peach-Tree, and Birds,” by Yosa Buson). Kokka, no. 477 (August): 233–34.
    
 
    
        Yoshimura Motoo
    
    
        1971
    
    
        Kōdaiji maki-e (Kōdaiji lacquerware). Exh. cat. Kyoto: Kyoto National Museum.
    
 
    
        Yoshimura Motoo
    
    
        1976
    
    
        Maki-e. Kyoto: Kyoto Shoin.
    
 
    
        Yoshioka Yukio
    
    
        1985
    
    
        [Editor]. Fuji, yanagi, harunatsukusa (Wisteria, willow, and grasses of spring and summer). Nihon no ishō (Japanese design in art), 9. Kyoto: Kyoto Shoin.
    
 
    
        Yoshizawa Chū
    
    
        1959
    
    
        “Ike Taiga ni okeru yōshiki tenkan: Nijūdai, sanjūdai no sakuhin o chūshin to shite” (On the development of the pictorial style of Taiga Ikeno). Kokka, no. 811 (October): 359–66.
    
 
    
        Yoshizawa Chū
    
    
        1967
    
    
        “Kō Fuyō hitsu sansui gajō” (An album of landscape images by Kō Fuyō). Kokka, no. 905 (August): 21–26.
    
 
    
        Yoshizawa Chū
    
    
        1968
    
    
        “Nukina Kaioku hitsu Eigenji Shūkei zu” (Autumn view of Eigenji). Kokka, no. 918 (September): 25–27.
    
 
    
        Yoshizawa Chū
    
    
        1974
    
    
        “Nyoi Dōjin shūshū shogajō ni tsuite” (The album of painting and calligraphy by Nyoi Dōjin). Kokka, no. 975 (November): 9–14.
    
 
    
        Yoshizawa Chū
    
    
        1975
    
    
        Gyokudō, Mokubei. Suiboku bijutsu taikei (Art of ink painting), 13. Tokyo: Kōdansha.
    
 
    
        Yoshizawa Chū
    
    
        1978
    
    
        Tanomura Chikuden. Exh. cat. Idemitsu Bijutsukan, 8. Tokyo: Idemitsu Museum of Arts.
    
 
    
        Yoshizawa Chū
    
    
        1986
    
    
        “Onaji zu no aru Ike Taiga hitsu Rantei kyokusui zu byōbu ni tsuite” (The screen of the Lan-ting Gathering, by Ikeno Taiga, and its duplicate). Kokka, no. 1096: 33–35.
    
 
    
        Young, Martie W., and Robert J. Smith
    
    
        1966
    
    
        Japanese Painters of the Floating World. Exh. cat., Andrew Dickson White Museum of Art, Cornell University. Ithaca, N.Y.: Office of University Publications, Cornell University.
    
 
    
        Zaigai Nara Ehon
    
    
        1981
    
    
        Barbara Ruch, editor. Zaigai Nara Ehon /Nara Ehon Abroad: Illustrated Literature from Medieval and Early Modern Japan. Proceedings, International Research Conference on Nara Ehon, London, Dublin, and New York, 1978; Tokyo and Kyoto, 1979. Tokyo: Kadokawa Shoten.
    
 
    
        Zhang Wanli and Hu Renmu
    
    
        1969
    
    
        [Editors]. Jianjiang huaji (The selected painting of Chien-chiang [Jianjiang]). Hong Kong: Cafa.